sholo

Everything about your production in one app, instead of five. The crew, the schedule, the run of show, the documents, the plan and the gear — one place, for exactly the people on it, and the copy everybody opens is the current one. Built for the production manager carrying the whole thing, and for every tech on site. WHAT YOUR CREW GETS - The whole show's schedule, filtered to just your calls - One run of show, a column per department, everyone on the same sheet — or photograph a printed cue sheet and it becomes one - Tasks tied to a location on the plan, so "fix A29" means something, with photos taken where it's installed - The documents the crew need, and the ones that aren't theirs kept back - Every screen, player and speaker, with who owns it and whether it's up - Pinch-zoom floor plans with a pin on every piece of gear - An inventory report that says what is missing before the truck leaves FOR ANY KIND OF SHOW Corporate general sessions. Stage and entertainment. Exhibit and expo floors. Breakouts, rehearsals, load-in and load-out. If your crew works from a schedule, this is built for it. THE COPY EVERYONE HAS IS THE CURRENT ONE Plans get printed at load-in and rarely reprinted — just marked up. By show day there can be a dozen versions on site and no reliable way to tell which one is right. Drop the PDF in and every page becomes a sheet the whole crew opens on their own phone. The marks go there instead, so everybody's marks are on the same copy. A DEAD SPOT DOESN'T STOP THE DAY Convention centers and arenas have dead spots exactly where crews work — loading docks, back-of-house corridors, the middle of a venue before the wifi is commissioned. What you have already opened stays readable, and edits are saved and sent when signal returns. ACCESS YOU CAN TAKE BACK A plan folded into somebody's back pocket still has your client's information on it, and there is nothing you can do about it afterward. Access can be ended — when the show wraps, when a freelancer finishes, when somebody leaves. A freelancer only ever sees the one show they're on: not your client list, not your other shows, not the company's comms. sholo is used by production companies to run their shows. Access is by invitation from your production company.